The Dark Tower
A spec trailer built from the source material. It shows how we take a book or a script and turn it into two minutes that make people lean in.
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So we show them.
Obscenery Studios cuts trailers, original series, and brand campaigns with generative AI, and a human eye for the hook.
TC 00:00:07:12 · The work
Real projects, real outcomes. One of our trailers got its feature film greenlit. That one, and more, sit behind NDAs.
A spec trailer built from the source material. It shows how we take a book or a script and turn it into two minutes that make people lean in.
Watch on Vimeo
A trailer built to carry an original YA sci-fi feature to Netflix Italy and Paramount. Made with producer Lisa Ellzey and writer-director Noah Hutton.
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What does a day sound like in a future Japan? A season? An experimental generative short built on sound design. It went viral and brought producers and backers asking how it was made.
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An original experimental short from Obscenery Studios. It launched its own vertical series, now in development.
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A film for Kyora, an Oregon holding company that turns university research into operating companies. Built to do what a deck can't: make the room feel it.
Watch on VimeoCurious about the work we can't post? Ask, and we'll walk you through the full reel.
TC 00:00:19:00 · What we cut
You have a script and a deck. Investors want to feel it. We build the trailer that makes the room lean in, before a frame is shot.
Our own shows, released on YouTube, TikTok, and Instagram. The same tools and the same taste, pointed at stories we own.
Ads, launches, and social video made with generative AI. Specific to your product, not a template with your logo on it.
TC 00:00:25:00 · Original series
BENTLEY. A dog loses his person at the end of the world and keeps walking. Thirty episodes, two minutes each, built vertical for the phone. Season one is rolling out now, and this is episode one.
The same pipeline we build for clients, pointed at a story we own.
TC 00:00:31:00 · How a cut happens
Press and hold to roll
Script, deck, footage, mood boards. We find the essence before we touch a timeline.
The first ten seconds decide it. We write the hook first and cut toward it.
A first cut on a date we agree on, then two rounds of notes. Clear feedback in, clear changes out.
The trailer, the teaser, the cutdowns, the vertical. Named, sized, and ready to post.
TC 00:00:43:00 · Why the tools
Generative AI lets us show a film that hasn't been shot, a product that hasn't launched, a world that only exists on paper. It does not know what a hook is. That part is still us.
Taste is the one thing no tool ships with. Ours was trained in the editing rooms of the American Film Institute Conservatory, where cinematography, sound, and direction all meet in a single decision: cut here.
A first feature chasing its budget. A brand launching worldwide. Both get the same thing from us: the cut that gets the yes.
TC 00:00:52:00 · Straight answers
No. Templates look like templates. We build each shot from your script, your world, your palette. If it could belong to another project, it goes.
A pitch trailer usually takes two to three weeks from brief to final. Rush is possible. We will tell you on day one if a date is not real.
Revision rounds are built into every quote, and the number depends on scope. More is fine, priced up front, never a surprise.
Every project is scoped to the ask. Tell us what you're making and we'll send the rate card.
Yes. Real footage, stills, and generated shots cut together all the time. We match the grade so nobody can tell where one ends.
You do. Full rights to every deliverable on final payment.
TC 00:01:00:00 · Start a project
A few lines is enough. We read everything.