Nobody greenlights what they can't see.

So we show them.

The trailer that gets the film made.

Show them the film before it exists.

Obscenery Studios cuts trailers, original series, and brand campaigns with generative AI, and a human eye for the hook.

TC 00:00:07:12 · The work

Cuts that got a yes.

Real projects, real outcomes. One of our trailers got its feature film greenlit. That one, and more, sit behind NDAs.

A frame from The Dark Tower spec trailer.
01 · Spec trailer · Adaptation

The Dark Tower

A spec trailer built from the source material. It shows how we take a book or a script and turn it into two minutes that make people lean in.

Watch on Vimeo
A frame from the Aqueduct trailer.
02 · Fundraising package · Sci-fi feature

Aqueduct

A trailer built to carry an original YA sci-fi feature to Netflix Italy and Paramount. Made with producer Lisa Ellzey and writer-director Noah Hutton.

Watch on Vimeo
A frame from Japan 2063.
03 · Original short · Obscenery Studios

Japan 2063

What does a day sound like in a future Japan? A season? An experimental generative short built on sound design. It went viral and brought producers and backers asking how it was made.

Watch on Vimeo
A frame from A Pale Horse.
04 · Experimental short · Obscenery Studios

A Pale Horse

An original experimental short from Obscenery Studios. It launched its own vertical series, now in development.

Watch on Vimeo
A frame from the Kyora film: a black sand beach under fog, surf running in.
05 · Brand film · Kyora

Kyora

A film for Kyora, an Oregon holding company that turns university research into operating companies. Built to do what a deck can't: make the room feel it.

Watch on Vimeo

Curious about the work we can't post? Ask, and we'll walk you through the full reel.

TC 00:00:19:00 · What we cut

Three things we make.

01

Pitch trailers

You have a script and a deck. Investors want to feel it. We build the trailer that makes the room lean in, before a frame is shot.

02

Original series

Our own shows, released on YouTube, TikTok, and Instagram. The same tools and the same taste, pointed at stories we own.

03

Brand campaigns

Ads, launches, and social video made with generative AI. Specific to your product, not a template with your logo on it.

The BENTLEY poster: a red and white pit bull in a green collar with a carved metal tag, a bearded man above him, lantern-lit figures on a ridge, survivors by a fire, a man with a rifle beside a pale dog, and a rusted ferry grounded at a pier.

TC 00:00:25:00 · Original series

A show of our own.

BENTLEY. A dog loses his person at the end of the world and keeps walking. Thirty episodes, two minutes each, built vertical for the phone. Season one is rolling out now, and this is episode one.

The same pipeline we build for clients, pointed at a story we own.

TC 00:00:31:00 · How a cut happens

How a cut happens.

Press and hold to roll

  1. 00:00:31:00

    Watch everything.

    Script, deck, footage, mood boards. We find the essence before we touch a timeline.

  2. 00:00:34:12

    Find the hook.

    The first ten seconds decide it. We write the hook first and cut toward it.

  3. 00:00:38:00

    Cut and show.

    A first cut on a date we agree on, then two rounds of notes. Clear feedback in, clear changes out.

  4. 00:00:41:12

    Deliver every version.

    The trailer, the teaser, the cutdowns, the vertical. Named, sized, and ready to post.

TC 00:00:43:00 · Why the tools

The tools changed. The job didn't.

Generative AI lets us show a film that hasn't been shot, a product that hasn't launched, a world that only exists on paper. It does not know what a hook is. That part is still us.

Taste is the one thing no tool ships with. Ours was trained in the editing rooms of the American Film Institute Conservatory, where cinematography, sound, and direction all meet in a single decision: cut here.

A first feature chasing its budget. A brand launching worldwide. Both get the same thing from us: the cut that gets the yes.

A generated still: a woman with long fair hair on horseback at a clifftop, looking out over the sea under a low sun.

TC 00:00:52:00 · Straight answers

Straight answers.

No. Templates look like templates. We build each shot from your script, your world, your palette. If it could belong to another project, it goes.

A pitch trailer usually takes two to three weeks from brief to final. Rush is possible. We will tell you on day one if a date is not real.

Revision rounds are built into every quote, and the number depends on scope. More is fine, priced up front, never a surprise.

Every project is scoped to the ask. Tell us what you're making and we'll send the rate card.

Yes. Real footage, stills, and generated shots cut together all the time. We match the grade so nobody can tell where one ends.

You do. Full rights to every deliverable on final payment.

TC 00:01:00:00 · Start a project

Tell us what needs to be seen.

A few lines is enough. We read everything.

Got it.

We watch everything, so give us a day. You'll hear back from a person.